While I am rebuilding the Great chest from the Möller organ, I have temporarily placed most of the pipes from the Great division on the Wicks chest. Since the Möller originally had a Gemshorn 8/4, later replaced with a cobbled-up Octave 4/2, I have kept my existing (non-Möller) Gemshorn and added the Möller Diapason and Melodia. Unlike the Flute d’Amour shown in the header picture, the Melodia uses open pipes from Tenor C upward (bass octave is not currently installed). The somewhat unattractive temporary racking on the left is needed to support the three largest wooden pipes.
I’ve also installed a MIDI-based control system from Artisan, which enables me to play the organ from a console in the living room. Since the Möller console hasn’t yet moved in from the garage, a Technics electronic piano is serving as the temporary console — with the two pedals selecting the registration.
The next step will be to connect the original console and bass chests so that I will have full Great and Pedal divisions.
My project has suddenly become much more complex with the addition of a nine rank Möller pipe organ. My original Wicks windchest will probably hold additional upperwork for the Great division, bringing the total to twelve ranks.
Except for the Möller console which will be in the living room below, everything fits into the approximately 9 x 19 foot organ chamber.
Here’s a short video taken last year by Nora Sawyer with her cellphone. The registration is built around the Gemshorn 8′ pipes, supplemented with 4′ and 2′ electronic voices. The pedals are entirely electronic, and it sounds distorted at times because the cell phone couldn’t handle the loudness close up. Still, it gives something of a feel for the instrument.
As previously mentioned and shown in the upper picture, mice had munched one of the Blockflöte pipes. Proper repair will be difficult, but a carefully applied layer of aluminum tape (lower picture) has allowed the pipe to regain its voice. In fact, its sound is essentially indistinguishable from its neighbors. Although I plan to install the Blockflöte as a 2′ rank on its own chest, I have temporarily placed it in a 4′ position on the main chest, with 1-12 supplied by Geigen Diapason pipes.
Well yes, but not much concerning the pipe organ except playing it from time to time. Right now we are having a geothermal heat pump system installed, which will provide much better climate control for us and for the organ.
After that, I expect to hook up a second driver board to get another rank of pipes up and running.
Mice got into the pipe trays in my basement. They must have fancied themselves experts on pipe voicing; otherwise it’s hard to explain why they nibbled away at the lead-tin alloy of this Blockflute pipe. Apparently they thought it would sound better with a higher mouth (more cut-up) and that the mouth should be arched to help ensure a flute-like tone.
Because they also damaged the windway, I can’t really tell whether they were on to something — the pipe barely makes any sound at all. I’ll have to get this pipe repaired or more likely have a new one made. I might try a temporary repair with metal tape first.
Luckily, the mice abandoned their re-voicing work after this single attempt.
My old Wicks windchest was originally designed for pipes with a maximum sounding length of about four feet. That means that the low octave of any eight foot stop will have to sit on a bass chest on the floor, which is a common practice. But I don’t have any bass chests yet.
The metal Gemshorn stop came with a nice set of wooden bass pipes. I’ve been wanting to try them out, and it occurred to me that some of them would fit under the ceiling if placed on the Gedeckt toeboard. The Gedeckt toeboard originally held a Trumpet (long before I got it), so it came with a support arm to hold the bass pipes in place.
As the first picture shows, when I removed twelve Gedeckt pipes, I was able to replace part of the front row with six Gemshorns. That gets me down to F# at the bottom of the bass clef, and I could probably squeeze F in behind as well; anything lower pitched would be too tall. I made a simple wiring adapter, as shown in the second picture, to temporarily hook these pipes to the Gemshorn driver board.
Whoever originally voiced these pipes a century ago did an excellent job of matching the tone on the wooden and metal pipes — the transition from C to B is inaudible.
Since the Gedeckts need some rebuilding, I’ll probably leave things this way for a while — it’s much more fun not to run out of Gemshorns at Tenor C.
It’s taken more than a year, but we have finally moved the pipe organ (and the rest of our possessions) to our new home.
The Diapason stop, which was far too loud in our old living room, now sounds impressive rather than excessive.
Related: Future organ loft.
Although the organ is far from complete, I’ve been having fun playing it. Yesterday one of the Gemshorn pipes (F below middle C) kept sounding after I released the key — a cypher!
Quite apart from its other meanings, the term “cypher” is used to describe an organ pipe that keeps playing after the key is released (or in some cases, before any key at all has been pressed).
In most cases this is due to a mechanical problem with the valve which controls the pipe. Sometimes playing a series of staccato 64th notes on the key will clear it, but not this time.
Since this instrument uses electric values, the other possibility would be an electrical short. When I shut off the power, the note kept sounding as long as there was wind pressure, so that ruled out any electrical problem
For now I’ve adopted the traditional organist’s work around: a small piece of paper (traditionally torn from a service leaflet) inserted under the foot of the pipe. Far better for the pipe not to play at all than to sound all the time!
A better solution will be to remove a bottom board from the windchest and adjust the valve. Fairly simple, but time consuming due to my crowded installation — most of the wind system will need to move so I can get in to make the repair.
The real estate ad called it a “family room”, but the oddly shaped room overlooking the living room is obviously an organ loft. When we have completed some necessary renovations, the organ will move to this new space.
At the high end of the loft the ceiling is over ten feet, allowing for full length 8′ pipes. Anything taller than that will have to go in the living room, where the highest point is nearly twenty feet.
Related: Organ moves to lofty perch.